It's fitting that the final installment in CADA's dialogue series took place in a classroom (The Chevron Open Minds Museum School at Glebow) because we have learned so much through each community engagement event. Seated on brightly coloured, slightly undersized plastic chairs, surrounded by children's artwork, maps, globes and historical photograhs, participants told us about their experiences with, and aspirations for cultural space in Calgary.

One of the biggest concerns for participants this time around was diversity in Calgary's art community. Many felt that arts institutions were Western or Euro-centric, and inaccessible to immigrant artists and artists from other cultural traditions. They suggested that festivals like Afrikadey were opportunities for education and engagement, and that common traditions like masquerade could be meeting points to share and celebrate arts and culture from around the world. They also thought that the city of Calgary and civic authorities should take responsibility for promoting diverse viewpoints. Several participants noted that everyone should be able to "see themselves in the face of Calgary."

Bringing art into everyday life was also a priority for many participants. They sugested that art should be found where people already are - streets and sidewalks, public spaces, sports facilities, and public transit. Places like the  Talisman Centre are comfortable for many people, welcoming to the uninitiated, and art should be integrated there. More and better public spaces would also allow for spontaneous arts events around the city.
Better architecture was also an issue. One participant made the point that "Every new building should raise the bar - take a risk." Many cited the new Encana Bow building as a positive step in this direction. Participants also thought it was important that developers of new areas should have a responsibility to include cultural spaces in their plans.

Others wanted to make sure that any new arts spaces were designed to be responsive to their communities - the communities using the facility should be reflected in its aesthetics. One participant said that quality arts spaces show the community “We value you.”

Again, the need for a grand scale, world class museum or art gallery was mentioned. In addition, an incubator space is needed, where artists can get training and experience in a variety of fields, instead of just one.

Participants suggested that sports and the arts should be better integrated. Art should be on the Jumbotron at the Saddledome, and artists should work on projects with sports teams.

Financial accessibility was also an issue for many. Free access to museums and galleries, as well as arts events  would allow many more Calgarians to take part in the arts. Arts facilities must also be accessible to public transportation or free parking.

Training and support for artists, especially emerging artists and those new to Canada, was also a major theme. Participants suggested courses on how to present ideas, write grants and letters for funding. Business training especially in the area of self-employment tax issues is also needed. City subsidzed studios, a city-owned store for artists co-op performance spaces would also help artists to support themselves.